A formal eighteenth-century portrait print of James Low, a minister, rendered in a precise etching and engraving style.

This portrait by George Kockers depicts James Low, a minister who served at the English Churches in Flushing and Middelburg before his tenure at the Scotch Church in Rotterdam. The work is a fine example of late eighteenth-century printmaking, utilising a combination of etching and engraving techniques to achieve a precise, formal likeness. The subject is presented within an oval frame, a common convention for portraiture of the period, which directs the viewer's attention to the sitter's facial features and clerical attire. Kockers employs a delicate system of hatching and stippling to model the form of the face and the texture of the clothing. The minister is shown in a three-quarter view, wearing a traditional clerical collar and a dark coat. The composition is balanced and restrained, reflecting the aesthetic preferences of the era. Below the oval portrait, the artist includes a detailed inscription that identifies the sitter and his professional history, providing essential context for the viewer. This inclusion of text is characteristic of historical portrait prints, which often functioned as commemorative documents or records of public figures. As a piece of historical documentation, the print offers insight into the visual culture of the Dutch Republic during the late 1700s. The clarity of the lines and the careful attention to the sitter's expression demonstrate the technical skill required for such portraiture. The print remains a clean, monochromatic study, suitable for those interested in the history of the clergy or the development of European printmaking techniques. The work is preserved with its original margins, maintaining the integrity of the artist's intended presentation.