Portrait of Reinhard Piper - Max Beckmann
Archival giclée
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Description
A 1921 drypoint portrait of German publisher Reinhard Piper by Max Beckmann, featuring the sharp, angular lines of the New Objectivity movement.
Max Beckmann produced this drypoint portrait of his publisher, Reinhard Piper, in 1921. The work belongs to a period when Beckmann moved away from the fluid style of his early career toward the sharp, angular forms associated with the New Objectivity movement. This shift followed his experiences as a medical orderly during the First World War, which altered his approach to the human figure. The composition focuses on Piper's psychological presence. He is depicted in a three-quarter view, seated with his hands clasped in his lap. Beckmann uses hard, incisive lines to define the subject's features and clothing. The artist avoids soft shading, instead using hatching and cross-hatching to create volume and texture. A notable detail is the black mourning band on Piper's left arm, which adds a sombre note to the depiction. Reinhard Piper was a significant figure in the German art world, founding Piper Verlag in Munich. He was an early supporter of Beckmann and published several of his graphic portfolios. This portrait captures the intellectual intensity of the publisher through a minimalist yet severe aesthetic. The background is sparse, consisting of a few architectural lines and the back of a chair, ensuring the viewer's attention remains on the sitter's face and posture.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Portrait of Reinhard Piper - Max Beckmann
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Max Beckmann
He was born in Leipzig in 1884 and trained at the Weimar Academy. His early work was relatively conventional; the First World War, where he served as a medical orderly, shattered both his style and his psychology. The paintings that followed, dense, allegorical, packed with symbolic figures in compressed, claustrophobic spaces, resist easy classification. His monumental triptychs, painted in exile in Amsterdam and later St Louis, combine mythology, autobiography and contemporary history.
He remains one of the twentieth century's most ambitious figurative painters, comparable in scale and intention to Picasso but less interested in formal innovation than in moral weight. He died in New York in 1950, at sixty-five.
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