Portrait of Cristina di Belgiojoso Trivulzio - Francesco Hayez
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
A striking 1832 portrait by Francesco Hayez depicting the intellectual and patriot Cristina di Belgiojoso Trivulzio in a dramatic, high-contrast composition.
Francesco Hayez, a leading figure of Italian Romanticism, painted this portrait of the Princess Cristina di Belgiojoso Trivulzio in 1832. The subject was a notable intellectual and patriot, known for her involvement in the Italian Risorgimento. Hayez captures her with a sense of poise, seated in a dark, atmospheric interior that draws focus to her pale complexion and the stark contrast of her black attire. The composition is structured around the interplay between the living subject and a classical bust placed to her left. This inclusion of sculpture suggests a dialogue between the modern individual and the ideals of antiquity, a common motif in the period. The princess is depicted with a hand resting near her collar, a gesture that adds a layer of psychological depth to the presentation. Her gaze is directed toward the viewer, conveying a sense of direct engagement. Hayez employs a restrained palette, dominated by deep shadows and the luminous quality of the sitter's skin. The lighting is focused, creating a dramatic effect that separates the figure from the background. The brushwork is precise, allowing for the rendering of textures such as the fabric of her dress and the metallic sheen of her jewellery. This work reflects the artist's ability to combine technical accuracy with the emotional weight characteristic of his portraiture. The painting remains a clear example of the high-status portrait style prevalent in early nineteenth-century Milanese circles, where the artist was active for much of his career.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Portrait of Cristina di Belgiojoso Trivulzio - Francesco Hayez
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Francesco Hayez
Hayez was born in Venice in 1791, the youngest of five sons. His father was a fisherman of French origin; his mother came from Murano. The family was poor enough that the boy was placed with an uncle, the antiquarian Giovanni Binasco, who hoped to train him as a restorer. Instead, Hayez won a scholarship to the Accademia di San Luca in Rome in 1809, where he spent long hours studying Raphael in the Vatican Stanze and visiting the workshop of the sculptor Antonio Canova.
He settled in Milan in 1820 and became the leading figure of Italian Romanticism. His large historical paintings, depicting subjects from medieval Italian history, functioned as allegorical commentary on the Risorgimento, the movement for Italian unification. The use of historical costume allowed him to evade Austrian censorship while communicating patriotic ideas that his Milanese audience decoded without difficulty.
In 1850 he became director of the Brera Academy, a position he held for decades. He rarely signed or dated his works, and often painted the same composition multiple times with minimal variation, which has complicated scholarly assessment. He died in Milan in 1882, at ninety, having witnessed the unification he had painted.
You May Also Like

