A striking 1911 portrait by Ilya Mashkov, featuring a woman seated with two pheasants in a flattened, decorative style typical of the Russian avant-garde.

Ilya Mashkov was a founding member of the Jack of Diamonds group, a collective of Russian artists who rejected academic traditions in favour of a bold, expressive style. This portrait, painted in 1911, displays the characteristics of his early period, which drew heavily from the influence of Paul Cézanne and Henri Matisse. The composition is deliberately flattened, prioritising the decorative arrangement of forms over traditional perspective. The subject sits in a blue armchair, her figure rendered with simplified, heavy outlines. She is flanked by two pheasants, which appear to float in the space behind her rather than occupying a physical environment. This choice creates a dreamlike, almost surreal atmosphere. Mashkov employs a palette of muted blues, browns, and creams, punctuated by the darker plumage of the birds and the floral accents on the sitter's dress. The brushwork is confident and direct, reflecting the artist's interest in the materiality of paint. During this era, Mashkov often incorporated folk art elements and unconventional subjects into his work. The inclusion of the pheasants serves to disrupt the formality of the portrait, shifting the focus toward a more stylised, graphic representation. The work avoids the psychological depth typical of nineteenth-century portraiture, opting instead for a focus on colour, shape, and the physical presence of the painted surface. It remains a clear example of the experimental spirit that defined the Russian avant-garde during the early twentieth century, demonstrating a departure from realism toward a more subjective, modern interpretation of the human figure.