A 1953 Surrealist portrait by Victor Brauner, featuring a bisected face surrounded by stylised, geometric floral motifs.

Victor Brauner, a central figure in the Surrealist movement, produced this work in 1953. The painting features a central figure whose face is bisected by colour, a recurring motif in his later output. The subject is surrounded by stylised, almost geometric floral elements that occupy the space around the head and torso. These forms appear more symbolic than representational, reflecting the artist's interest in occultism, mythology, and the subconscious mind. Brauner's application of paint is direct and unrefined, favouring a flattened perspective that emphasises the two-dimensional nature of the canvas. The palette consists of muted tones punctuated by specific areas of yellow, red, and deep green. The figure's expression remains neutral, yet the surrounding botanical shapes create a sense of ritualistic or totemic presence. The composition is balanced, with the figure acting as a vertical axis against the scattered, star-like floral motifs. This piece demonstrates the shift in Brauner's work during the post-war period, where he moved away from the more explicit dream-imagery of his earlier Surrealist years toward a more personal, symbolic language. The inclusion of the artist's initials and the date in the lower corners confirms the work's provenance within his mature period. The painting avoids traditional portraiture conventions, opting instead for a schematic representation that prioritises the internal world of the subject over physical likeness. The result is a work that functions as a visual cipher, inviting the viewer to interpret the relationship between the human form and the surrounding abstract flora.