"Platonic love" is just an affectation, p. 131 - Paul Gavarni
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Description
A lithograph by Paul Gavarni, titled ""Platonic love" is just an affectation, p. 131", depicts two women in an intimate setting, capturing a moment of quiet interaction and intellectual exchange.
This lithograph by Paul Gavarni, a French artist known for his satirical and social commentary illustrations, depicts two women in an intimate setting. The work, titled ""Platonic love" is just an affectation, p. 131", captures a moment of quiet interaction, possibly a shared reading or study session. Gavarni's style is characterised by its fine lines and detailed rendering, which is evident in the depiction of the women's clothing and the surrounding environment. The composition is simple, yet it conveys a sense of closeness and intellectual exchange between the figures. The lithograph's monochromatic palette adds to its understated elegance, allowing the viewer to focus on the expressions and gestures of the subjects. Gavarni's work often reflected the social mores and cultural trends of his time, and this piece is no exception, offering a glimpse into the lives and relationships of women in 19th-century France. The lithograph is a page from a book, as indicated by the page number at the top of the image.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
"Platonic love" is just an affectation, p. 131 - Paul Gavarni
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Specific Features
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Paul Gavarni
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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