A seminal Surrealist work by Max Ernst, this 1923 painting subverts traditional religious iconography through dreamlike imagery and an unsettling, ambiguous narrative.

Pieta (Revolution by Night), painted in 1923, is a work by the German artist Max Ernst. It occupies a position within the early development of Surrealism, reflecting the movement's interest in the subconscious and the subversion of traditional iconography. The title itself creates a tension between the classical religious subject of the Pieta, which depicts the Virgin Mary cradling the body of Christ, and the political or psychological implications of a revolution occurring under the cover of darkness. The composition features a man in a bowler hat, a recurring figure in Ernst's work, holding a limp, pale figure. The man's expression is stoic, almost detached, while the figure he carries appears lifeless. To the right, a second figure stands in profile, rendered in a linear, sketch-like manner that contrasts with the more solid, modelled forms of the central pair. The setting is ambiguous, suggesting an interior space with a brick wall and a staircase, yet the spatial relationships remain illogical and dreamlike. Ernst employs a muted, earthy palette dominated by browns and ochres, which serves to heighten the impact of the bright red trousers worn by the carried figure. The lighting is artificial and theatrical, casting shadows that do not align with a natural source. This work demonstrates the artist's ability to manipulate familiar visual tropes to create an atmosphere of unease. By placing a classical motif into a modern, urban context, Ernst forces the viewer to reconsider the meaning of the original religious scene. The painting functions as a visual manifestation of the irrational, a core objective of the Surrealist group during this period. It remains a significant example of how Ernst utilised painting to explore the boundaries between reality and the internal world of dreams.