People Begin to Fly - Yves Klein
Archival giclée
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Description
A striking composition by Yves Klein featuring ethereal human figures suspended in a field of his signature International Klein Blue.
People Begin to Fly is a work by the French artist Yves Klein, created in 1961. It belongs to a series of works that explore the concept of levitation and the liberation of the human body from gravity. Klein, known for his obsession with the colour blue, utilised his signature International Klein Blue (IKB) to create a sense of infinite space and weightlessness. The composition features several human figures, rendered in a ghostly, ethereal manner, suspended against a field of intense blue pigment. The figures appear to be floating or falling through an indeterminate void. Klein achieved this effect by using a technique involving sponges and dry pigment, which allows the colour to retain a powdery, matte texture that absorbs light rather than reflecting it. This creates a visual experience where the boundary between the figures and the background becomes blurred. This piece reflects Klein's interest in the immaterial and his desire to move beyond traditional painting. By depicting the human form in a state of flight, he invites the viewer to consider the possibility of transcending physical limitations. The lack of a horizon line or any grounding elements reinforces the sensation of being untethered from the earth. The figures are not portraits of specific individuals, but rather archetypal representations of humanity in motion. The work remains a clear example of Klein's experimental approach to medium and his pursuit of a spiritual dimension within art. His use of blue serves as a medium for the viewer to enter a state of contemplation, detached from the material world.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
People Begin to Fly - Yves Klein
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Yves Klein
He was born in Nice to artist parents and grew up between France, England, and Spain. He studied judo seriously, earning a fourth-degree black belt in Tokyo, and considered martial arts and art as related disciplines: both requiring control, precision, and the projection of force.
He exhibited an empty gallery in 1958 and called it Le Vide (The Void). Over three thousand people attended the opening. The gallery walls were painted white. There was nothing else. He served blue cocktails at the door. He sold invisible paintings (Zones of Immaterial Pictorial Sensibility) for gold, then threw half the gold into the Seine and burned the receipt.
He died of a heart attack in 1962, at thirty-four. His career lasted roughly eight years. In that time he made the monochromes, the Anthropometries, the fire paintings, the sponge sculptures, the void exhibitions, and enough theoretical writing to fill several volumes. He remains one of the most influential artists of the post-war period, which he would have considered insufficient recognition.
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