Paus met schenkkan (Man with Pitcher) - Giovanni Domenico Tiepolo
Archival giclée
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Description
An etching by Giovanni Domenico Tiepolo, depicting an elderly man holding a pitcher, rendered in fine lines and tonal values.
This etching by Giovanni Domenico Tiepolo presents a close study of an elderly man, his head bowed in contemplation as he holds a pitcher. The work is executed with a network of fine lines, creating a range of tonal values and textures. The man's face, deeply lined and shadowed, suggests a life marked by experience. His long, flowing beard adds to the sense of age and wisdom. The pitcher, rendered with careful attention to form and detail, appears almost as a symbolic attribute. The background is a dense field of etched lines, which serve to isolate the figure and focus attention on his presence. The overall effect is one of quiet introspection and dignity. Giovanni Domenico Tiepolo (1727-1804) was an Italian painter and printmaker, the son of the celebrated artist Giovanni Battista Tiepolo. He worked extensively with his father, and independently, producing a range of paintings, frescoes, and prints. His prints, like this one, demonstrate his skill as a draughtsman and his ability to capture human emotion and character.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Paus met schenkkan (Man with Pitcher) - Giovanni Domenico Tiepolo
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Giovanni Domenico Tiepolo
He was born in Venice in 1727, the eldest son of Giovanni Battista Tiepolo, the greatest ceiling painter in Europe. By thirteen he was his father's chief assistant; by twenty he was producing independent commissions. He assisted at Wurzburg (1751 to 1753), at the Villa Valmarana in Vicenza (1757), and at the Royal Palace in Madrid (1762 to 1770).
His father's death in Madrid in 1770 freed him to develop his own direction. He returned to Venice and turned increasingly away from the luminous Baroque grandeur of his father's work toward genre scenes, religious subjects treated with narrative intimacy, and the Punchinello drawings that became his finest achievement. In retirement at the family villa at Zianigo, he painted frescoes now in the Correr Museum and produced nearly two hundred etchings. He died in Venice in 1804, at seventy-six.
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