Pan-American Exposition, 1901 - Edward Penfield
Archival giclée
Ready to hang
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Made to order
Description
A vintage poster by Edward Penfield advertising the 1901 Pan-American Exposition, featuring the Electric Tower in a bold Art Nouveau style. A striking piece of American graphic design history.
Edward Penfield's striking poster for the 1901 Pan-American Exposition in Buffalo, New York, captures the optimism and grandeur of the event. Penfield, a leading figure in American poster design, employs a bold, simplified style characteristic of Art Nouveau, moving away from Victorian fussiness toward a more modern aesthetic. The poster depicts a fashionable couple and their attendant in the foreground, with the iconic Electric Tower rising majestically in the background. Penfield's use of flat planes of colour and strong outlines creates a visually arresting image, while the limited colour palette of orange, black, and grey lends a sophisticated air. The scene evokes a sense of progress and modernity, reflecting the exposition's focus on technological innovation and international collaboration. As a fine art print, this poster adds a touch of vintage charm and historical significance to any space, perfect for those who appreciate graphic design and American history. Its clean lines and elegant composition make it a versatile piece that complements both contemporary and traditional interiors, bringing a piece of early 20th-century Americana into the home.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Pan-American Exposition, 1901 - Edward Penfield
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
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Museum-Quality Materials
Artist Biography
Edward Penfield
Penfield embraced simplicity and strong, flat colours, drawing inspiration from Japanese prints and the Arts and Crafts movement. Eschewing excessive detail, he focused on conveying the essence of a scene or product with minimal lines and bold compositions. His posters, often promoting *Harper's* magazine, exude a sophisticated charm and a distinctly American sensibility. Penfield's innovative approach to composition and colour made his work instantly recognisable and highly influential.
Today, Edward Penfield's posters are celebrated for their timeless appeal and graphic ingenuity. His ability to distill complex ideas into visually arresting images continues to inspire designers and artists. Collectors are drawn to Penfield's work not only for its aesthetic beauty but also for its historical significance as a window into a bygone era of American optimism and artistic innovation. His prints add a touch of vintage elegance and graphic punch to any modern space.
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