Painting, Number 5 - Marsden Hartley
Archival giclée
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Description
An abstract memorial from Marsden Hartley's Berlin period, featuring military symbols and bold geometric forms in a symbolic portrait of a fallen soldier.
Marsden Hartley painted this work in Berlin between 1914 and 1915. It belongs to a series of "War Motifs" that respond to the atmosphere of Germany during the First World War. The composition is a symbolic portrait of Karl von Freyburg, a Prussian lieutenant and close friend of the artist who was killed in action. The work uses a collage-like arrangement of military insignia and heraldic symbols. A red cross sits within a white circle, while an Iron Cross appears lower in the frame. The number 4, referring to Freyburg's regiment, is visible alongside black and white stripes from the Prussian flag. Hartley employs a heavy, painterly application of pigment that gives the surface a physical presence. While the arrangement suggests the influence of Synthetic Cubism, the emotional weight and bold use of colour align it with German Expressionism. Hartley was associated with the Der Blaue Reiter group during his time in Europe. This piece avoids traditional perspective, opting for a flat, crowded space where symbols overlap and compete for attention. It is a memorial constructed through the language of abstraction.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Painting, Number 5 - Marsden Hartley
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Specific Features
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Marsden Hartley
Returning to the United States, Hartley sought to capture the essence of the American landscape and its people. He embraced a more representational style, focusing on the rugged beauty of his native Maine and the working-class communities he encountered. His "Dogtown" series, depicting the desolate landscape of a former settlement, showcases his ability to find beauty in the stark and unforgiving. These works are not mere landscapes; they are meditations on memory, loss, and the enduring power of nature.
Despite facing personal struggles and periods of obscurity, Hartley remained committed to his artistic vision. His willingness to experiment with different styles and subjects, from abstract symbolism to representational landscapes, makes him a truly unique and compelling figure. Marsden Hartley died in 1943, leaving behind a body of work that continues to challenge and inspire, inviting viewers to contemplate the complexities of identity, place, and the human condition.
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