Okhotino. September - Konstantin Korovin
Archival giclée
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Description
A Russian Impressionist study of the autumn season at Konstantin Korovin's country estate. This 1915 oil painting features expressive brushwork and a moody palette of violets and greys.
Konstantin Korovin painted this scene at his country estate in Okhotino during the autumn of 1915. As a leading figure in Russian Impressionism, Korovin often used his dacha as a subject for his experiments with light and atmosphere. This work depicts the rural surroundings under a heavy, overcast sky. The composition is dominated by the expansive heavens, where thick applications of paint create a sense of movement in the clouds. The palette consists of deep violets, slate greys, and muted blues. These cool tones are interrupted by a cluster of yellow and orange foliage in the lower left, indicating the changing season. Korovin used a broad, gestural technique that prioritises the immediate impression of the weather over fine detail. The wooden buildings of the village appear as simplified forms against the horizon, their shapes defined by quick strokes of white and brown. During this period, Korovin was increasingly interested in capturing the specific moods of the Russian countryside. His brushwork became more expressive and less concerned with academic precision. The low horizon line allows the sky to occupy the majority of the canvas, emphasising the scale of the rural environment. This painting is a characteristic example of his late style, where the physical texture of the oil paint is as important as the subject itself.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Okhotino. September - Konstantin Korovin
Our Features
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Konstantin Korovin
He was born in Moscow in 1861 and studied under Savrasov and Polenov at the Moscow School. He was close to Mamontov's Abramtsevo circle and designed prolifically for the Bolshoi and Mariinsky theatres. His Parisian cafe scenes and Crimean landscapes use loose, luminous brushwork. After the Revolution he emigrated to Paris in 1923. He died in Paris in 1939.
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