November - Carl Larsson
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
A delicate 1887 watercolour by Carl Larsson, capturing an elderly man walking through a quiet, frost-touched garden on a grey November day.
Carl Larsson, a Swedish painter known for his depictions of domestic life, produced this watercolour in 1887. The work captures a quiet, wintry scene in a rural garden. An elderly man, dressed in a heavy blue coat and leaning on a walking stick, traverses a path. The atmosphere is defined by the pale, diffused light typical of a late autumn day in Northern Europe. The background features the simple, gabled silhouettes of farm buildings, rendered in soft, muted tones that recede into the mist. Larsson employs a delicate technique, using thin washes of watercolour to build the textures of the frost-dusted vegetation and the weathered clothing of the figure. The composition is balanced, with the man positioned to the right, providing a sense of scale against the quiet garden. The foreground contains a cluster of late-blooming flowers, their muted colours providing a subtle contrast to the greyish-brown earth and the pale sky. This piece reflects the artist's ability to observe the mundane details of daily existence with precision and empathy. Unlike his later, more stylised works associated with the Arts and Crafts movement, this watercolour retains a naturalistic quality, focusing on the interplay between the human figure and the seasonal environment. The work is signed and dated in the lower right corner, confirming its origin during a period when Larsson was refining his mastery of the watercolour medium. It remains a representative example of his skill in capturing the specific mood of a Swedish autumn, where the transition toward winter is felt in the stillness of the air and the fading light.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
November - Carl Larsson
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Carl Larsson
He struggled for years, working as an illustrator and retoucher of photographs while trying to establish himself as a painter. In 1882, at an artists' colony in Grez-sur-Loing outside Paris, he met the artist Karin Bergoo. They married, and everything changed. The watercolours he began painting in Grez were lighter, more fluid and more personal than anything he had produced before.
In 1888 Karin's father gave them a small house called Lilla Hyttnas in Sundborn, a village in Dalarna. The house became their joint project: Carl painted it, Karin designed the interiors, the furniture, the textiles, the colour schemes. The result was one of the most influential domestic interiors in Scandinavian design, a prototype for what would eventually become Swedish modernism. He painted the house and the family inside it (they had eight children) in watercolours that were published as a book, Ett Hem (A Home), in 1899. It sold across Europe.
The paintings of Sundborn are warm, bright and apparently effortless, which made people assume his life was too. It was not. He suffered depression in his later years and had a stroke in 1919. His most ambitious painting, Midvinterblot, a monumental canvas of a Viking midwinter sacrifice, was rejected by the National Museum. He admitted in his memoirs that the pictures of his family and home had become the most lasting part of his work. He was right.
You May Also Like

