A classical depiction of the Noli Me Tangere scene by Russian painter Alexander Ivanov, capturing the encounter between Christ and Mary Magdalene.

This work depicts the biblical encounter between the resurrected Christ and Mary Magdalene, a subject traditionally titled Noli Me Tangere. Alexander Ivanov, a Russian painter associated with the Academic tradition, produced this piece during his extended residence in Rome. The composition follows the established conventions of the period, focusing on the emotional and physical distance between the two figures.

Christ stands on the right, draped in white cloth, his posture suggesting a gentle withdrawal. Mary Magdalene kneels on the left, her expression directed upward toward him. The background consists of a dark, wooded area, which serves to isolate the figures and direct attention to their interaction. Ivanov employs a controlled palette, using the contrast between the light-coloured garments of Christ and the darker, earthy tones of the surroundings to define the space.

Ivanov is best known for his monumental project, The Appearance of Christ to the People, which occupied him for two decades. This painting reflects the same rigorous attention to anatomical accuracy and classical composition that defined his larger works. The treatment of light and shadow demonstrates his technical training and his interest in the works of the Old Masters. The figures are rendered with precision, and the drapery is handled with a focus on volume and form. This print captures the quiet tension of the scene, offering a clear view of the artist's approach to narrative painting and his ability to convey theological themes through human gesture and expression. It is a representative example of the nineteenth-century approach to historical and religious subjects, prioritising clarity of form and a balanced arrangement of elements within the frame.