New Yoshiwara (Shin Yoshiwara) - Utagawa Kuniyoshi
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
A classic ukiyo-e woodblock print by Utagawa Kuniyoshi, featuring a large moon over the Shin Yoshiwara district in Edo-period Japan.
This woodblock print by Utagawa Kuniyoshi depicts the Shin Yoshiwara district under a large, pale moon. As a member of the Utagawa school, Kuniyoshi was known for his imaginative approach to composition and his ability to capture the atmosphere of Edo-period Japan. The print belongs to the series Famous Places in the Eastern Capital, which documents various locations around the city. The composition is dominated by the oversized, circular moon, which creates a stark contrast against the deep blue sky. Below, figures walk along a path, providing a sense of scale and human activity. The background features the low-lying structures of the Yoshiwara district, rendered with clean lines and a restrained colour palette. The use of bokashi, or colour gradation, in the sky adds depth to the scene, while the figures are depicted with the characteristic stylisation of the period. Kuniyoshi often experimented with perspective and unconventional framing, which is evident in the placement of the moon. The print captures a quiet moment in a district typically associated with nightlife and entertainment. The attention to detail in the clothing of the figures and the architectural elements reflects the technical skill involved in the production of ukiyo-e prints. This work provides a glimpse into the aesthetic preferences of the time, where the natural world and urban life were frequently juxtaposed in print media. The print is a representative example of the landscape genre within the ukiyo-e tradition, showing how artists of the era balanced decorative elements with observational detail.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
New Yoshiwara (Shin Yoshiwara) - Utagawa Kuniyoshi
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Utagawa Kuniyoshi
For the first thirteen years he struggled. The breakthrough came in 1827 with a commission to illustrate the 108 Heroes of the Suikoden, a Chinese adventure novel. He drew tattooed warriors in dynamic poses that broke out of the frame, the tattoos rendered with a detail that started a fashion in Edo. The series was enormously popular and established him as the leading designer of warrior prints.
He loved cats. His studio was always full of them, and he often worked with a kitten tucked inside his kimono. When a cat died, he sent it to a nearby temple, and he kept a Buddhist altar for his deceased cats at home. Cats appear constantly in his prints: as substitute actors in kabuki scenes, as letter-forms in playful alphabets, as parodies of famous paintings. Government censorship in the 1840s prohibited the depiction of actors and courtesans by name, so Kuniyoshi gave them cat faces, which was technically legal and funnier.
His range was unusual for an ukiyo-e artist. Warriors, landscapes, beautiful women, ghosts, satirical cartoons, cats. He was equally comfortable with the heroic and the absurd, sometimes on the same sheet. His triptych of the giant skeleton spectre, from the tale of Takiyasha the Witch, is one of the most reproduced images in Japanese art.
You May Also Like

