A genealogical portrait by Frida Kahlo, depicting her ancestors and her own origins through a structured, symbolic family tree.

Frida Kahlo painted this work in 1936, using oil and tempera on a metal sheet. The composition functions as a genealogical tree, tracing the artist's lineage through two distinct tiers. At the top, Kahlo depicts her paternal grandparents, Antonio Kahlo and Matilde Calderón, alongside her maternal grandparents, Antonio Calderón and Isabel González. These figures appear as busts, emerging from a cloud-like formation that suggests their status as ancestors. The lower section features the artist's parents, Guillermo Kahlo and Matilde Calderón y González, positioned centrally. To the left, Kahlo includes her father as a young man, while her mother stands to the right. The artist herself is represented twice: once as a young girl standing in the courtyard of the family home, La Casa Azul, and again as a foetus within her mother's womb. This dual representation connects the individual to the broader biological and historical narrative of the family unit. Kahlo employs a flattened perspective, reminiscent of Mexican retablo paintings, which were small devotional images often painted on metal. The use of a metallic surface provides a specific texture to the work, influencing the way light interacts with the painted surface. The figures are rendered with a focus on individual features, yet they remain bound by the symbolic structure of the family tree. The background, which includes the house and the surrounding terrain, acts as a grounding element for the floating ancestral portraits above. This piece offers a clear view into Kahlo's preoccupation with identity, heritage, and the physical reality of her own existence within a specific lineage.