A refined portrait by Thomas Gainsborough, capturing Alice De Lancey with fluid brushwork and a soft, atmospheric quality.

Thomas Gainsborough painted this portrait of Alice De Lancey, later Mrs. Ralph Izard, during his period in Bath. The work captures the sitter in an oval format, a common choice for eighteenth-century portraiture that focuses attention on the subject's features. Gainsborough employs his characteristic fluid brushwork, particularly in the rendering of the white silk bodice and the delicate rose pinned to the fabric. The soft, diffused lighting creates a gentle transition between the subject and the dark, atmospheric background. Alice De Lancey, a member of a prominent colonial American family, is depicted with a calm expression. Her attire includes a simple pearl necklace and a blue sash, which provide subtle colour accents against the neutral tones of her dress. The composition avoids the rigid formality often found in contemporary portraiture, favouring a more relaxed and graceful presentation. Gainsborough was known for his ability to capture the personality of his sitters through light, colour, and the rhythmic application of paint. This portrait demonstrates his skill in balancing the representation of social status with a sense of individual character. As a fine art print, this piece retains the soft textures of the original oil painting. The muted palette and the focus on the sitter make it a suitable addition to spaces where a sense of history and quiet elegance is desired. The oval frame effect is preserved, maintaining the original intent of the artist to isolate the subject from the surrounding environment. This work remains a representative example of Gainsborough's portrait practice during his most productive years in Bath, where he catered to the fashionable society of the time.