A tender 1892 watercolour portrait of a mother and child painted by Swedish artist Anders Zorn during his time in Cadiz, Spain.

Anders Zorn painted this watercolour in 1892 during a visit to Cadiz, Spain. The work depicts a mother and child in a close, affectionate embrace. Zorn was widely recognised for his technical skill in watercolour, a medium he mastered early in his career before focusing on oil painting and etching. This piece demonstrates his ability to capture light and skin tones using a limited palette and fluid brushwork. The composition is contained within an oval format, focusing attention on the interaction between the two figures. The mother looks towards her child with a gentle expression, while the child looks directly at the viewer. Zorn uses broad washes of colour in the background, contrasting with the more defined details of the faces and the mother's jewellery. The red accents in the mother's hair and necklace provide a sharp contrast to the cooler tones of her patterned garment. Zorn's approach to portraiture often involved capturing subjects in natural, unposed moments. In this instance, the physical connection between the mother and child is the central theme. The child's hand rests on the mother's shoulder, creating a sense of stability and warmth. The light appears to come from the side, casting soft shadows that define the contours of their features without harsh lines. This work is a representative example of Zorn's travel paintings, where he documented the people and atmosphere of the Mediterranean with a direct and observant eye. Zorn's stay in Spain influenced his use of light and shadow. The warmth of the southern sun is reflected in the warm undertones of the paper and the choice of pigments. Unlike his later oil portraits of high-society figures, these watercolour studies often feel more immediate and personal. The brushwork is economical, with the artist leaving areas of the paper to suggest highlights on the child's forehead and the mother's cheek.