A 1793 stipple engraving by Francesco Bartolozzi after William Hamilton, depicting a pastoral farm scene for the month of March.

This stipple engraving, titled March, is a fine example of the collaborative print culture prevalent in late eighteenth-century London. Published by Thomas Macklin at his Poets Gallery on Fleet Street in 1793, the work features a design by William Hamilton, translated into print by the Italian master Francesco Bartolozzi. The scene depicts a rural farmyard setting, illustrating the seasonal activities associated with the month of March.

In the foreground, two women attend to poultry, with one figure kneeling to manage a coop while the other stands nearby. The composition is framed within an oval, a common aesthetic choice for prints of this period, which directs the viewer's focus toward the central domestic activity. In the background, farm labourers are visible inside a barn, engaged in manual work, providing a sense of the broader agricultural cycle. The inclusion of verse from James Thomson's poem, The Seasons, at the base of the print, connects the visual imagery to the literary interests of the era.

Bartolozzi was a highly skilled engraver, known for his mastery of the stipple technique, which uses dots rather than lines to create subtle gradations of tone. This method allows for a soft, painterly quality that mimics the appearance of chalk drawings. The print captures the textures of the clothing, the feathers of the birds, and the rustic architecture with precision. As a museum-grade reproduction, this print offers a clear view into the pastoral ideals and artistic techniques that defined the British print market during the late Georgian period. It reflects the era's fascination with rural life and the translation of poetic themes into accessible visual media.