Madonna and Child at a Table with Saint John the Baptist - Guido Reni
Archival giclée
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Description
An etching by Guido Reni depicts the Madonna and Child with Saint John the Baptist. The figures are rendered with delicate lines and subtle shading, typical of Reni's refined Baroque style.
This etching by Guido Reni (1575-1642) depicts the Madonna and Child with Saint John the Baptist. Reni was an Italian painter of the High-Baroque period, known for his classicising style. He produced works in a variety of media, including painting and printmaking. His paintings often feature religious and mythological subjects, characterised by their graceful figures and refined compositions. Reni's influence extended throughout Europe, and his works were highly sought after by collectors and patrons. The composition shows the Virgin Mary seated at a table, holding the Christ Child. Saint John the Baptist stands to the right, offering a cross to the infant Jesus. The figures are rendered with delicate lines and subtle shading, typical of Reni's refined style. A heavy curtain drapes in the upper-left corner, adding depth to the scene. The background features a landscape with clouds, visible through an opening behind the figures. The overall effect is one of serene beauty and classical harmony.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Madonna and Child at a Table with Saint John the Baptist - Guido Reni
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Guido Reni
Reni’s ambition knew no bounds. He moved to Rome and quickly became a rival to Caravaggio, securing major commissions from the likes of the Borghese family. His frescoes, such as the *Aurora* ceiling in the Casino dell'Aurora, are testaments to his technical skill and artistic vision. Yet, Reni was also a complex character, known for his gambling addiction and a reported fear of witchcraft, which perhaps explains the melancholic undertones that sometimes surface in his art.
Despite his personal demons, Guido Reni left an indelible mark on the Baroque movement. His pursuit of idealised beauty influenced generations of artists, and his works, like *Hippomenes and Atalanta* and *The Ecstasy of Saint Paul*, continue to captivate viewers with their elegance and emotional depth. For those seeking a touch of refined drama and timeless grace, Reni's art offers a window into a world of unparalleled beauty.
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