A delicate ink and watercolour study of a reclining figure by Dutch artist Nicolaas Wijnberg, dated 1988.

Nicolaas Wijnberg, a prominent figure in twentieth-century Dutch art, produced this study of a reclining figure in 1988. The work demonstrates his characteristic approach to the human form, where economy of line meets expressive colour. Wijnberg often balanced his career as a painter with his work as a theatre designer, and this dual focus is visible in the theatrical quality of the composition. The figure rests upon a surface defined by broad, horizontal bands of pink and ochre, which provide a stark contrast to the delicate, rhythmic ink lines used to delineate the body. The artist employs a calligraphic style to capture the contours of the subject. Cross-hatching is used sparingly to suggest volume and shadow, allowing the white of the paper to function as a source of light. A thin wash of blue at the top of the sheet provides a sense of atmosphere, grounding the figure within a simplified, almost abstract space. The date, inscribed at the bottom, confirms the work as a direct observation from his later period. Wijnberg was known for his ability to capture movement and posture with minimal effort. This piece avoids unnecessary detail, focusing instead on the weight and repose of the figure. The juxtaposition of the fluid, organic lines of the body against the rigid, geometric bands of colour below creates a visual tension that is typical of his graphic output. This print captures the spontaneity of the original ink and watercolour sketch, preserving the texture of the paper and the transparency of the pigments. It is a study in balance, both in terms of the composition and the application of media, reflecting the artist's long-standing interest in the relationship between the human figure and its environment.