Fine Art Poster
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
Archival giclée
Frames arrive ready to hang
Secure checkout
Made to order
A detailed Victorian wood engraving depicting a group of figures on the shore of Lake Colden, capturing the rugged beauty of the Adirondack Mountains.
This wood engraving, produced by the firm Butterworth and Heath, captures the rugged topography of Lake Colden in the Adirondack Mountains. The print reflects the nineteenth-century fascination with remote wilderness areas, often documented for travel journals and geographical publications of the period. The composition employs a classic framing device, with a stark, skeletal tree in the foreground providing a vertical counterpoint to the sloping mountainside across the water. The scene depicts a small group of figures on the shoreline, their presence providing a sense of scale against the vast, untamed environment. One individual stands near the water, perhaps fishing, while others are gathered nearby, suggesting a moment of leisure during an expedition. The engravers use varied line weights to define the textures of the rocky shore, the dense foliage of the distant slopes, and the reflective surface of the lake. The sky is rendered with fine, parallel hatching, creating a sense of atmospheric depth that draws the eye toward the distant peaks. Butterworth and Heath were active as engravers during the mid-to-late Victorian era, a time when such illustrations were essential for bringing distant locations to a public audience. Their work is characterised by a high degree of technical precision, typical of the commercial engraving houses that supplied the burgeoning print media market in London. The image serves as a record of the American wilderness as it was perceived by European observers, balancing the wild nature of the terrain with the orderly, observational style of the period's illustrative traditions. The print remains a clear example of the craft of wood engraving, where every shadow and contour is built through the careful application of the burin.
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. See our refunds page for full details.
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Our Features
Designed for Lasting Impact
Every Solis piece is made to order with archival, gallery-quality materials built to last.
To keep your artwork looking its best:
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
Made to order
Every piece is printed to order. These are the five finishes, and what makes each one different.
From £37
A giclée print on 200gsm matte fine art paper, using a twelve-colour process for accurate, fade-resistant colour. Supplied unframed, delivered flat or rolled.
From £59
The same fine art print in a solid wood frame with UV-protective acrylic glaze and rigid backing. Five frame colours. Arrives ready to hang.
From £95
A deeper solid wood frame: 33mm deep with a 20mm face and Perspex glaze. The print sits unmounted for a clean gallery presentation. Black, white or natural.
From £30
Hand-stretched canvas with neat gallery-wrapped edges, giving the artwork surface texture and depth. Arrives ready to hang.
From £135
Stretched canvas set in a floating wood frame, our most substantial finish. Arrives ready to hang.
Why Choose Us ?
Damage-free delivery guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Butterworth and Heath
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