A 1896 Art Nouveau lithograph by Eugène Grasset depicting a woman gardening, part of his 'La Belle Jardinière' calendar series.

This work is a plate from the series 'La Belle Jardinière', a calendar project produced by Eugène Grasset in 1896. Grasset, a Swiss-born designer who spent much of his career in France, was a figure in the development of Art Nouveau. His work often combined medieval influences with the organic, flowing lines that defined the turn-of-the-century aesthetic. In this depiction of March, a woman in a patterned red dress kneels in a garden to plant seeds. The composition uses a flat, decorative approach, typical of the period's interest in Japanese woodblock prints. The background features a structured garden path leading to a large tree and a bench, framed by topiary. The colour palette is restrained, relying on muted greens, earthy browns, and the striking red of the subject's garment to create visual balance. The text 'MARS' appears at the top, integrated into a decorative cartouche, while 'MARCH' is inscribed at the base. Grasset was known for his mastery of graphic design and his ability to integrate typography with illustration. This series demonstrates his skill in creating narrative scenes that function as both functional calendars and decorative art. The lines are precise, and the overall arrangement is balanced, reflecting the artist's background in architecture and his interest in the decorative arts. The print captures the quiet activity of early spring, focusing on the act of gardening as a seasonal marker. It is a representative example of the graphic output of the Art Nouveau movement, which sought to bring artistic quality to everyday objects and printed materials.