La Belle Jardinière: January - Eugène Grasset
Archival giclée
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Description
A classic Art Nouveau lithograph by Eugène Grasset, depicting a woman gardening in winter as part of his seasonal series.
This work is part of the series titled La Belle Jardinière, produced by Eugène Grasset in 1896. Grasset was a significant figure in the development of Art Nouveau, known for his graphic design work and his influence on the decorative arts. This specific print represents the month of January, depicted through the figure of a woman tending to a garden during the winter season. The composition employs the characteristic flat planes of colour and strong outlines associated with the poster art of the period. The woman is shown in profile, wearing a headscarf and a patterned apron, engaged in the physical labour of gardening. The background features a fountain covered in icicles, which provides a clear seasonal indicator. The use of muted, earthy tones reflects the dormant state of the garden in mid-winter. Grasset balances the human figure with the surrounding environment, using the verticality of the trees and the fountain to frame the scene. Grasset’s approach to this series demonstrates his interest in the synthesis of nature and design. The typography, integrated into the top and bottom banners, is typical of his graphic style, which often drew inspiration from medieval manuscripts and Japanese woodblock prints. The work avoids excessive ornamentation, focusing instead on the clarity of the narrative and the rhythmic quality of the lines. It provides a glimpse into the late nineteenth-century fascination with seasonal cycles and the idealised representation of rural life. The print remains a clear example of the graphic techniques employed by Grasset during his time in Paris, where he contributed to the visual culture of the Belle Époque.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
La Belle Jardinière: January - Eugène Grasset
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Eugène Grasset
Grasset was born in Lausanne in 1845, the son of a cabinetmaker and sculptor who taught him to use a chisel before he could draw. He studied drawing under Francois Bocion, then architecture in Zurich. A trip to Egypt after completing his education left a permanent mark on his visual vocabulary. He moved to Paris in 1871 and began designing furniture, wallpapers, fabrics, tapestries, ceramics and jewellery before turning to graphic design in 1877.
Poster art became his primary medium. His style drew on Viollet-le-Duc's theories of decorative structure, Japanese woodblock prints and Egyptian ornament, combined into flowing compositions that helped define Art Nouveau before the term existed. The G. Peignot et Fils typefoundry introduced the "Grasset" typeface at the 1900 Universal Exhibition, an italic design he created for use on his posters. He also collaborated with the jeweller Henri Vever on pieces that merged Art Nouveau organic forms with mythological subjects.
He taught design at a succession of Paris institutions from 1890 until 1913, including the Ecole Guerin, the Ecole Estienne and the Academie de la Grande Chaumiere. His influence on the generation of designers who followed him was extensive but largely unacknowledged outside France. He died in 1917, at seventy-two.
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