La Belle Jardinière - December - Eugène Grasset
Archival giclée
Ready to hang
Secure checkout
Made to order
Description
A classic Art Nouveau lithograph by Eugène Grasset, depicting a woman in a winter garden for the month of December.
Eugène Grasset, a Swiss-born designer who spent his career in France, produced this work as part of a series depicting the months of the year. The image represents December through the figure of a woman gathering greenery in a winter garden. She wears a dark cloak and a red dress, contrasting with the snow-covered surroundings. In the foreground, hellebore flowers bloom, providing a botanical detail characteristic of Grasset's approach to decorative art. The composition reflects the aesthetic principles of the Art Nouveau movement. Grasset employs clear outlines and a balanced arrangement of elements, moving away from the heavy realism of the previous century. The inclusion of a stone balustrade and a classical urn adds a sense of structure to the scene, while the flowing lines of the woman's cloak introduce a sense of movement. The text at the top and bottom frames the image, integrating typography with the visual narrative. Grasset was a significant figure in the development of the Art Nouveau style, particularly in his use of natural forms and his influence on graphic design. His work often bridged the gap between fine art and commercial illustration. This print demonstrates his ability to combine seasonal themes with a sophisticated decorative sensibility. The palette is restrained, relying on muted tones of brown, cream, and soft pink to evoke the quiet atmosphere of a winter day. The print serves as an example of the high quality of colour lithography during the late nineteenth century, capturing the nuances of the original design with precision. It remains a representative piece of the period, reflecting the interest in seasonal cycles and the integration of nature into domestic design.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
La Belle Jardinière - December - Eugène Grasset
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
Why Choose Us ?
100% Satisfaction Guarantee
Fast Shipping
Museum-Quality Materials
Artist Biography
Eugène Grasset
Grasset was born in Lausanne in 1845, the son of a cabinetmaker and sculptor who taught him to use a chisel before he could draw. He studied drawing under Francois Bocion, then architecture in Zurich. A trip to Egypt after completing his education left a permanent mark on his visual vocabulary. He moved to Paris in 1871 and began designing furniture, wallpapers, fabrics, tapestries, ceramics and jewellery before turning to graphic design in 1877.
Poster art became his primary medium. His style drew on Viollet-le-Duc's theories of decorative structure, Japanese woodblock prints and Egyptian ornament, combined into flowing compositions that helped define Art Nouveau before the term existed. The G. Peignot et Fils typefoundry introduced the "Grasset" typeface at the 1900 Universal Exhibition, an italic design he created for use on his posters. He also collaborated with the jeweller Henri Vever on pieces that merged Art Nouveau organic forms with mythological subjects.
He taught design at a succession of Paris institutions from 1890 until 1913, including the Ecole Guerin, the Ecole Estienne and the Academie de la Grande Chaumiere. His influence on the generation of designers who followed him was extensive but largely unacknowledged outside France. He died in 1917, at seventy-two.
You May Also Like

