A 1920 coloured pencil drawing by Adolf le Comte depicting a serene Dutch cornfield, rendered with soft, observational strokes.

This drawing by Adolf le Comte, titled Korenakker tussen bomen, captures a rural scene in the Dutch countryside. Executed in 1920, the work reflects the artist's interest in the natural environment during his later years. Le Comte, who was also a designer and museum curator, employed a light, sketch-like technique here, using coloured pencils to define the forms of the cornfield and the surrounding foliage.

The composition is divided into distinct horizontal bands. A golden-yellow field occupies the foreground, leading the eye toward a cluster of green trees in the middle distance. Beyond this, a soft green slope rises to meet a pale blue sky, punctuated by simple, cloud-like outlines. The artist uses a limited palette, allowing the texture of the paper to remain visible, which adds a sense of immediacy to the piece. The lines are direct and unadorned, characteristic of a quick study made on location.

Le Comte signed and dated the work at the bottom, noting the location as Bergen. This specific region in the Netherlands was a popular destination for artists during the early twentieth century, known for its particular light and rural character. The drawing avoids excessive detail, focusing instead on the essential shapes and colours of the terrain. It provides a quiet observation of the Dutch agricultural environment, rendered with a restrained hand. The work is an example of the artist's private practice, distinct from his more formal design work for the Royal Delft porcelain factory. It remains a clear representation of his observational style, prioritising the atmosphere of the moment over rigid precision.