A sombre 1863 Realist painting by Albert Anker depicting a village community gathered for a child's funeral in a Swiss churchyard.

Albert Anker was a Swiss painter known for his depictions of village life in the nineteenth century. This work, titled Kinderbegräbnis (A Child's Funeral), was completed in 1863. It represents a sombre scene in a rural churchyard. A group of villagers gathers around an open grave. The composition focuses on the contrast between the dark clothing of the adults and the light dresses of the children. Anker often painted scenes involving children and education. In this painting, he captures the communal nature of grief in a small town. The figures are arranged with a sense of quiet dignity. A clergyman stands to the left, reading from a book. To the right, a gravedigger rests on his spade. The background features a large weeping willow and the stone walls of a church. The artist used a naturalistic approach to record the details of the period. The textures of the woollen coats and the lace on the children's dresses are rendered with precision. He also captures the appearance of the freshly turned earth. Anker avoided sentimentalism in favour of a direct observation of social reality. This painting is part of the collection at the Musée d'Art et d'Histoire in Geneva. It is a clear example of Swiss Realism. The lighting is soft and diffused, suggesting an overcast day. This choice of light complements the subject matter. Anker's skill in portraiture is evident in the individualised expressions of the mourners. Each face tells a story of personal loss or communal respect. The inclusion of children as central figures reflects Anker's career-long interest in the lives of the young. The painting documents the social customs and attire of nineteenth-century Switzerland.