A detailed 1756 pen and ink drawing by Louis Fabritius Dubourg depicting the biblical scene of Joseph being sold by his brothers.

This drawing by Louis Fabritius Dubourg depicts the biblical narrative of Joseph being sold into slavery by his brothers. Executed in 1756, the work demonstrates the artist's command of ink and grey wash, a technique common in eighteenth-century Dutch draughtsmanship. The composition centres on the figure of Joseph, who stands amidst his brothers in a wooded setting. The figures are rendered with anatomical precision, reflecting the influence of classical sculpture on the period's aesthetic.

Dubourg employs a clear, linear style, using fine pen strokes to define the musculature and the folds of the drapery. The grey wash provides depth and volume, creating a sense of three-dimensional space without the need for colour. The brothers are arranged in a dynamic group, their gestures conveying the tension of the transaction. One brother points towards the distance, while others engage in the exchange, their expressions and postures suggesting a range of reactions to the event. The background features trees and rocky outcrops, which frame the scene and direct the viewer's attention to the central action.

As a study in narrative composition, this piece captures a specific moment of betrayal. The artist avoids excessive ornamentation, focusing instead on the clarity of the figures and the emotional weight of the story. The work is characteristic of the academic training prevalent in the Netherlands during the mid-eighteenth century, where artists often turned to biblical and mythological subjects to demonstrate their technical proficiency. The use of a monochrome palette allows the viewer to focus on the draughtsmanship and the arrangement of the figures, making it a fine example of period illustration.