A sixteenth-century woodcut by Veit Rudolf Specklin depicting the biblical scene of Joseph being retrieved from a pit by his brothers.

This woodcut depicts the biblical narrative of Joseph, who is being retrieved from a pit by his brothers. Veit Rudolf Specklin, a German artist active during the sixteenth century, employs a clear, linear style characteristic of the period. The composition focuses on the central action, with the brothers gathered around the opening of the pit while Joseph emerges from the darkness below. The figures are dressed in contemporary sixteenth-century attire, a common practice in Northern Renaissance art to bring historical narratives into the viewer's own time.

The line work is precise and functional, defining the forms of the figures and the texture of their garments without excessive shading. The artist uses a limited range of marks to suggest depth and volume, relying on the contrast between the white paper and the black ink to delineate the scene. The composition is balanced, with the standing figures framing the central group engaged in the rescue. The background is minimal, keeping the attention on the interaction between the brothers and Joseph.

Specklin, who was also known for his work as a cartographer and architect, brings a sense of structural clarity to this print. The woodcut medium requires a disciplined approach to line, and here the artist demonstrates a firm control over the block. This piece is a representative example of the small-scale narrative prints produced in Germany during the mid-sixteenth century, often intended for inclusion in illustrated books or as devotional imagery. The work provides a direct visual account of the Old Testament story, rendered with the straightforward narrative focus typical of the era's printmaking traditions.