A classic woodcut by Lucas Cranach the Elder depicting the biblical scene of Joseph fleeing from Potiphar's wife.

This woodcut depicts the biblical narrative of Joseph, who escapes the advances of Potiphar's wife. Lucas Cranach the Elder, a central figure of the German Renaissance, employs a direct visual language to convey the tension of the scene. Joseph is shown in a hurried posture, his body angled towards an exit, while the woman reaches out to grasp his garment. The composition is contained within a domestic interior, featuring a bed with heavy drapery and a window looking out onto a small structure.

Cranach uses clear, decisive lines to define the figures and the surrounding space. The hatching techniques provide texture to the clothing and the architectural elements, such as the leaded glass window. The figures are rendered with the characteristic proportions and facial features found in Cranach's graphic work from the early sixteenth century. His approach to the subject focuses on the immediate action, stripping away unnecessary detail to ensure the narrative remains legible.

The woodcut medium allows for a stark contrast between the black ink and the paper, creating a graphic quality that defines the forms. This print reflects the broader interest in biblical themes that circulated through Northern Europe during the Reformation period. Cranach, who maintained a productive workshop in Wittenberg, produced numerous prints of this nature for a growing audience of collectors and scholars. The work demonstrates his ability to translate complex theological or moral narratives into accessible visual formats, maintaining a balance between narrative clarity and technical precision. The scene captures a moment of moral crisis, rendered with the economy of line that defines the woodcut tradition of the era.