Jeune Fille - Odilon Redon
Archival giclée
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Description
A delicate lithographic portrait by French Symbolist Odilon Redon, capturing a young woman in a moment of quiet contemplation.
This lithograph by Odilon Redon, titled Jeune Fille, captures a quiet, contemplative moment. Redon, a French artist associated with the Symbolist movement, moved away from the objective representation of the natural world to explore the internal states of the human psyche. While much of his work is known for dreamlike or macabre imagery, his portraiture often retains a similar sense of stillness and mystery. The composition focuses on the profile of a young woman, her gaze directed downwards. The soft, granular texture of the lithographic stone allows for subtle gradations of tone, creating a gentle transition between light and shadow across her features. The head covering adds a sense of modesty and timelessness to the subject, removing her from a specific contemporary context. The lack of background detail ensures that the viewer remains focused on the expression and the delicate modelling of the face. Redon was a master of the lithographic medium, often using it to achieve a charcoal-like quality that feels both ethereal and grounded. In this print, the economy of line and the careful application of shadow demonstrate his technical control. The work reflects the artist's interest in the quiet interior life of his subjects. It is a study in restraint, where the absence of narrative allows the viewer to project their own interpretation onto the figure. The print was produced in a limited edition, as noted by the text at the base, which was common practice for Redon's graphic works. This piece offers a glimpse into the more restrained side of an artist who is frequently associated with the fantastical, showing his ability to capture human presence with sensitivity and technical precision.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Jeune Fille - Odilon Redon
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Odilon Redon
For the first two decades of his career he worked exclusively in black: charcoal drawings and lithographs he called his noirs. Floating eyeballs, severed heads with closed lids, spiders with human faces, plants that grow teeth. The images are hallucinatory but precisely rendered, closer to medical illustration than fantasy. He published his first lithograph album, Dans le Reve, in 1879. Nobody noticed.
Recognition came sideways. In 1884, Joris-Karl Huysmans published A rebours, a novel about a reclusive aesthete who decorates his rooms with Redon's prints. The book became a cult text for the Symbolist movement and Redon became famous by association. Stephane Mallarme, the Symbolist poet, became a close friend. Redon also completed a series of lithographs dedicated to Edgar Allan Poe, whose poems Mallarme and Baudelaire had translated into French.
After 1900 he stopped making noirs entirely and shifted to colour: pastels and oils of flowers, mythological figures and butterflies in palettes that anticipate Matisse. The transition was so complete that the Surrealists later claimed the black work while the Fauves claimed the colour, and neither group seemed to notice they were talking about the same person.
He studied under Jean-Leon Gerome at the Ecole des Beaux-Arts, which is an unlikely pairing: Gerome painted Roman gladiators with photographic precision. Redon painted eyeballs attached to balloons. Goya and Delacroix were the influences that actually stuck.
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