Jacob and His Family on the Way Home - Sébastien Bourdon
Archival giclée
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Description
A detailed seventeenth-century etching by Sébastien Bourdon depicting the biblical journey of Jacob and his family with their livestock.
This etching by Sébastien Bourdon depicts the biblical narrative of Jacob returning home with his family and livestock. Bourdon, a French painter and printmaker active during the seventeenth century, demonstrates his technical proficiency in this work through the use of varied hatching and cross-hatching to define form and shadow. The composition is organised around a central group of figures, including Jacob, mounted on a horse, surrounded by his family and a collection of animals, such as sheep, goats, and a camel. The scene is set against a backdrop of large, gnarled trees and a distant classical structure, which provides a sense of scale and atmosphere. Bourdon employs a delicate line quality to render the textures of the animals' coats and the folds of the figures' garments. The arrangement of the figures creates a sense of movement, suggesting a journey in progress. The artist balances the density of the foreground figures with the lighter, more open treatment of the background, guiding the viewer's eye across the scene. As a printmaker, Bourdon was influenced by the works of his contemporaries and the classical tradition. This piece reflects the interest in pastoral and biblical themes common in Baroque art. The etching captures a moment of quiet transition, focusing on the domestic and agricultural aspects of the narrative rather than a dramatic encounter. The attention to detail in the animals and the expressive postures of the figures demonstrate Bourdon's ability to convey narrative through composition and line. This print offers a view into the stylistic conventions of the period, where classical influence and naturalistic observation merge to create a balanced, coherent image.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Jacob and His Family on the Way Home - Sébastien Bourdon
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Sébastien Bourdon
He was born in Montpellier in 1616, the son of a Protestant glass painter. Back in Paris after the Roman flight, he became a co-founder of the French Royal Academy in 1648, later serving as professor and rector. In 1652, Queen Christina of Sweden appointed him first court painter, though the posting lasted only two years. His versatility was unusual: landscapes, religious compositions, mythological scenes and strikingly lifelike portraits all came from the same hand with equal competence.
His Calvinist background gave him access to Protestant networks across Europe while limiting his access to Catholic commissions in France. He died in Paris in 1671, at fifty-five.
His Calvinist background gave him access to Protestant networks across northern Europe while restricting his ability to secure the most lucrative Catholic commissions in France. The tension between faith and profession forced him into a peripatetic career that, paradoxically, gave his art a cosmopolitan range that more settled painters lacked.
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