Infant Christ and Saint John - Guido Reni
Archival giclée
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Description
An etching by Guido Reni depicting the infant Christ and Saint John the Baptist in a pastoral setting. The work showcases Reni's skill in translating his painterly style into the graphic medium of etching.
This etching by Guido Reni (1575-1642) depicts the infant Christ and Saint John the Baptist in a pastoral setting. Reni, a prominent painter of the Bolognese School, was known for his classicising style and religious subjects. This work showcases his skill in translating his painterly style into the graphic medium of etching. The composition features the two young figures interacting playfully, with Christ reaching out to touch John's face. John holds a staff with a banner, a common attribute. A lamb, symbolising Christ's future sacrifice, grazes nearby. In the background, other figures are faintly visible, adding depth to the scene. The etching is characterised by its delicate lines and subtle shading, creating a soft, ethereal atmosphere. Reni's mastery of line work is evident in the detailed rendering of the figures and the surrounding foliage. The print captures a moment of innocence and tenderness, reflecting the artist's devout religious beliefs and his ability to convey emotion through his art. The work exemplifies the Baroque interest in dynamic composition and emotional expression, tempered by a classical sense of harmony and balance.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Infant Christ and Saint John - Guido Reni
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Guido Reni
Reni’s ambition knew no bounds. He moved to Rome and quickly became a rival to Caravaggio, securing major commissions from the likes of the Borghese family. His frescoes, such as the *Aurora* ceiling in the Casino dell'Aurora, are testaments to his technical skill and artistic vision. Yet, Reni was also a complex character, known for his gambling addiction and a reported fear of witchcraft, which perhaps explains the melancholic undertones that sometimes surface in his art.
Despite his personal demons, Guido Reni left an indelible mark on the Baroque movement. His pursuit of idealised beauty influenced generations of artists, and his works, like *Hippomenes and Atalanta* and *The Ecstasy of Saint Paul*, continue to captivate viewers with their elegance and emotional depth. For those seeking a touch of refined drama and timeless grace, Reni's art offers a window into a world of unparalleled beauty.
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