Here is a lot of money for Your Honor, Milord. Here is a lot of honor for your money, Sire. - Paul Gavarni
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Description
A satirical lithograph by Paul Gavarni, titled 'Here is a lot of money for Your Honor, Milord. Here is a lot of honor for your money, Sire,' depicts a transaction between two men, offering a glimpse into the social commentary of 19th-century Parisian life.
This lithograph by Paul Gavarni (1804-1866), a French caricaturist, captures a scene of social commentary. Gavarni, known for his sharp wit and keen observation of Parisian life, frequently depicted the foibles and hypocrisies of the upper classes. This work, whose title translates to 'Here is a lot of money for Your Honor, Milord. Here is a lot of honor for your money, Sire,' presents a transaction between two figures. One, an older man with a sly expression, appears to be handing money to a younger, more refined individual. The setting is suggested by minimal background details, allowing the focus to remain on the interaction between the two men. Gavarni's use of line is precise, creating a sense of depth and character in the figures. The lithograph is part of a series titled 'Les Anglais chez eux' (The English at Home), suggesting a satirical look at English customs or behaviours. The artist's skill in capturing facial expressions and body language adds to the narrative, inviting viewers to interpret the nature of the exchange and the social dynamics at play.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Here is a lot of money for Your Honor, Milord. Here is a lot of honor for your money, Sire. - Paul Gavarni
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Paul Gavarni
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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