A 1968 screenprint by Sigmar Polke, featuring a dual-register composition that contrasts graphic, comic-inspired imagery with blurred photographic elements.

Hallo Shiva is a screenprint by the German artist Sigmar Polke, produced in 1968. The work demonstrates the artist's characteristic approach to layering disparate visual languages. The composition is divided into two distinct horizontal registers. The upper section features a repetitive, comic-book style sequence of a figure emerging from a planetary form, rendered in flat, pastel-toned colours. This graphic imagery contrasts with the lower register, which incorporates photographic elements that appear blurred and overlaid, suggesting a sense of cinematic movement or fragmented memory. Polke was a co-founder of the Capitalist Realism movement in Germany, a style that engaged with the consumerist culture of the post-war era through irony and appropriation. In this print, the juxtaposition of the whimsical, cartoonish upper panels with the more ambiguous, grounded photographic imagery below creates a tension between the artificial and the real. The work avoids a singular narrative, instead inviting the viewer to consider the relationship between mass-produced imagery and personal experience. By combining these varied modes of representation, Polke questions the stability of the image and the ways in which visual information is consumed and interpreted. This piece reflects the experimental nature of Polke's printmaking practice during the late 1960s. He often utilised unconventional techniques and materials to challenge traditional notions of fine art. The use of screenprinting allows for the clean, graphic lines of the upper register to sit alongside the softer, more atmospheric quality of the photographic elements. The result is a work that feels both playful and critical, typical of the artist's broader output during this period. It remains a clear example of how Polke manipulated existing visual codes to create new, often enigmatic, meanings.