A 1908-1909 oil painting by Marsden Hartley depicting the mountains of western Maine. It features rhythmic, stitch-like brushwork and a palette of deep blue and orange.

Marsden Hartley painted Hall of the Mountain King between 1908 and 1909. This work belongs to a series of mountain views created in western Maine. During this period, Hartley lived in North Lovell and focused on the local topography. He adopted a specific technique influenced by the Italian painter Giovanni Segantini. This method involves short, thick strokes of paint applied in a rhythmic, stitch-like manner. The composition features a series of rising slopes that fill the majority of the canvas. Hartley used a palette of deep blues and oranges to define the ridges. The application of paint creates a physical texture on the surface. At the top of the frame, large white clouds with yellow accents sit against a narrow strip of sky. A small body of water is visible at the base of the mountains. The blue tones range from navy to cerulean, while the orange sections suggest the presence of autumn foliage or the effect of low sunlight on the peaks. Hartley's use of the Segantini stitch creates a shimmering effect across the mountain face. This technique allows the artist to build form through colour rather than traditional line. The clouds are rendered with heavy impasto, appearing as solid, sculptural forms in the sky. This painting marks a transition in Hartley's career. It shows his interest in the physical presence of the land. He moved away from traditional representation toward a more personal interpretation of the natural world. The title refers to the music of Edvard Grieg, suggesting a connection between the visual arts and musical composition. The heavy impasto and repetitive brushwork give the scene a sense of weight and mass.