A refined woodblock print by Suzuki Harunobu from the 'Six Jewel Rivers' series, featuring two women by the Tamagawa River in autumn.

This woodblock print by Suzuki Harunobu depicts a scene from the series 'Six Jewel Rivers' (Mutamagawa). The composition features two figures positioned by the banks of the Tamagawa River in Omi Province, a location traditionally associated with the bush clover, or hagi. One woman stands while holding a fan, looking down at a companion who kneels near the water, gesturing towards the flowering shrubs. Harunobu is credited with the development of nishiki-e, or brocade prints, which allowed for the use of multiple colours in a single image. This work demonstrates his characteristic approach to figure drawing, which emphasises slender, graceful proportions and a sense of quiet stillness. The palette is restrained, relying on soft ochre, muted greens, and subtle grey tones to evoke the atmosphere of an autumn evening under a full moon. The inclusion of calligraphy in the upper centre provides a poetic context, linking the visual imagery to classical Japanese literary traditions regarding the six famous rivers of the country. The print reflects the aesthetic values of the mid-Edo period, where the depiction of bijin-ga, or pictures of beautiful women, became a primary subject for ukiyo-e artists. Harunobu avoids excessive detail, preferring a clean, balanced arrangement that draws the viewer into the gentle interaction between the two figures. The lines are precise and fluid, defining the folds of the kimono and the delicate features of the subjects without unnecessary ornamentation. This piece remains a clear example of the technical refinement achieved during the early years of full-colour printing in Japan, capturing a moment of calm observation in a natural setting.