Guitar Player - Anders Zorn
Archival giclée
Ready to hang
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Description
A 1900 etching by Swedish artist Anders Zorn depicting a nude woman playing a guitar. This print demonstrates Zorn's mastery of parallel hatching to create light and form.
Anders Zorn was a Swedish painter and printmaker who achieved international success during the late nineteenth century. While he is often remembered for his oil portraits, his etchings represent a significant part of his artistic output. This 1900 etching, titled Guitar Player, depicts a nude woman seated on the edge of a bed. She holds a guitar across her lap, her fingers positioned on the fretboard and strings. The composition relies on Zorn's characteristic etching technique. He used bold, parallel diagonal strokes to build form and suggest light. This method creates a sense of movement and immediacy, rather than focusing on minute details. The background features a patterned wallpaper, indicated by small floral or leaf-like motifs. The light appears to come from the left, casting the right side of the figure and the bed into shadow. The floor is rendered with long, horizontal strokes that provide a stable base for the seated figure. Zorn often returned to the subject of the female nude, frequently placing his models in domestic or natural settings. In this print, the inclusion of the musical instrument adds a narrative element to the scene. The model's expression is quiet and concentrated, suggesting a private moment of practice or leisure. Her hair is dark and curly, contrasting with the pale tones of her skin. The physical texture of the paper and the varying thickness of the etched lines are visible in this museum-grade reproduction. The artist was known for his ability to capture the effects of light using only black ink on paper. By varying the density of his hatching, he could suggest different textures, from the polished wood of the guitar to the soft fabric of the bedsheets. This specific print is a fine example of his mature style in printmaking, where he moved away from traditional cross-hatching in favour of his own vigorous, directional line work.
Return policy
Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
Shipping
We ship worldwide, printing at the production hub nearest to your delivery address. Delivery times and costs vary by destination — you'll see the options available to you at checkout.
Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Guitar Player - Anders Zorn
Our Features
Designed for Lasting Impact
Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
- Choose poster, framed print, canvas or framed canvas
- Frames in black, natural wood, dark wood or white
- Framed prints arrive ready to hang
Care & Cleaning
To keep your artwork looking its best:
- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
- Never use liquid cleaners on the print or canvas surface
- Keep in a dry, room-temperature space
- Handle prints with clean, dry hands
Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Anders Zorn
He was born in Mora in 1860, studied at the Royal Swedish Academy of Arts in Stockholm, and worked across Paris, London and the United States. His ability to render water and flesh with loose, confident brushwork set him apart from more academic contemporaries. His etchings, numbering roughly three hundred, are considered among the finest of the period.
He returned to Mora later in life, establishing a museum and open-air museum there. The Zorn Museum remains a major cultural institution in Sweden. He died in Mora in 1920, at sixty.
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