Gin, from 'Les Anglais chez eux' - Paul Gavarni
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Description
A lithograph by Paul Gavarni, 'Gin' is part of his series 'Les Anglais chez eux', offering a satirical look at English society through the depiction of two figures in a street scene.
This lithograph by Paul Gavarni (1804-1866), titled 'Gin', is part of his series 'Les Anglais chez eux' ('The English at Home'). Gavarni, a French artist known for his satirical and humorous depictions of Parisian life, turned his attention to English society in this series. The print captures a scene with two figures, a man and a woman, walking hand-in-hand. The man wears a top hat and a jacket, while the woman is dressed in a long coat and bonnet. Their expressions and attire suggest a certain weariness or dissipation, hinting at the social commentary Gavarni often employed. The background is sparsely detailed, with shadowy figures suggesting a street scene. The lithographic technique allows for fine lines and subtle gradations of tone, adding to the overall atmosphere of the image. Gavarni's work provides a glimpse into the social mores and stereotypes of the 19th century, offering a critical yet humorous perspective on both French and English society.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Gin, from 'Les Anglais chez eux' - Paul Gavarni
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Specific Features
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Paul Gavarni
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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