A somber memorial to a Nova Scotian fishing family, this 1940-1941 painting by Marsden Hartley uses the structure of the Last Supper to honour two brothers lost at sea.

Marsden Hartley painted this work between 1940 and 1941. It is part of a series dedicated to the Mason family, with whom Hartley lived in Blue Rocks, Nova Scotia. The composition references the biblical Last Supper but focuses on a specific tragedy. In 1936, two brothers from the family died at sea during a storm. Hartley uses this religious framework to commemorate their lives. The figures sit behind a long table covered with a white cloth. Hartley employs heavy black outlines to define the forms. The palette is dominated by a deep blue wall. This colour choice creates a somber atmosphere. A small painting of a schooner hangs on the wall behind the group. This detail refers to the maritime life of the subjects. The style is deliberate and blunt. Hartley moved away from his earlier abstract experiments toward a more direct, expressive realism. The hands of the figures are large and simplified. Their expressions are stoic. The arrangement of the chairs in the foreground adds a sense of structure to the lower half of the canvas. This painting is held in the collection of the Northern Illinois University Art Museum. It represents Hartley's late period. During this time, he focused on regional subjects and personal loss. The work avoids sentimentality. Instead, it is a stark image of communal mourning. The flat application of paint and the lack of traditional perspective align with Hartley's interest in folk art traditions.