A striking 1920s woodcut exhibition poster by Dutch artist Reijer Stolk, featuring bold graphic lines and hand-coloured details.

This woodcut by the Dutch artist Reijer Stolk functions as a promotional poster for an exhibition held at De Nieuwe Toonkamer in Rotterdam. Stolk, known for his involvement in the Dutch avant-garde, employs a bold, graphic language that reflects the influence of early twentieth-century Expressionism. The composition is dominated by heavy, black outlines that define both the figurative elements and the stylised lettering. The imagery includes a reclining figure, a tortoise, and floral motifs, all integrated into a dense, block-like arrangement of text. The hand-applied colour palette, featuring shades of blue, magenta, and yellow, provides a contrast to the stark black ink. The text itself is treated as a decorative element, with letters distorted and fitted into the geometric constraints of the woodblock. This approach to typography is characteristic of the period, where the distinction between image and script was frequently blurred to create a unified visual field. Stolk was active in the artistic circles of Rotterdam during the interwar period. His work often displays a synthesis of folk art aesthetics and modern graphic sensibilities. This specific print provides insight into the visual culture of Dutch galleries in the 1920s, where woodcuts were a common medium for advertising due to their ability to be reproduced and their strong visual impact. The inclusion of the address, Witte de Withstraat 31, anchors the piece in the specific urban history of Rotterdam. The print demonstrates a clear focus on rhythm and balance, with the organic shapes of the figures and flowers playing against the rigid, angular forms of the letters. It is a representative example of the graphic output of a Dutch artist navigating the intersection of fine art and commercial design.