A minimalist woodcut bookplate designed by Dutch artist Gerrit Willem Dijsselhof for the art dealership E.J. van Wisselingh & Co.

This woodcut serves as a bookplate, or ex libris, commissioned for the prominent Dutch art dealership E.J. van Wisselingh & Co. Gerrit Willem Dijsselhof, a figure associated with the Dutch Arts and Crafts movement, designed this mark with a focus on geometric clarity and balanced composition. The design features the initials of the firm integrated within a circular frame, set against a dark, solid background that contrasts with the lighter paper stock. Dijsselhof was known for his interest in the decorative arts, including furniture design and woodblock printing. His approach to graphic work often utilised simplified forms and a disciplined use of negative space. This particular piece reflects the period's interest in the book as a complete aesthetic object, where the ex libris functioned as a personal or institutional signature. The execution demonstrates the characteristic precision of woodcut techniques from the late nineteenth century, where the artist had to consider the physical resistance of the wood grain while carving the letters and the surrounding border. By the 1890s, E.J. van Wisselingh & Co had become a centre for the promotion of contemporary art in Amsterdam. This bookplate reflects the firm's identity as a serious patron of the arts, aligning itself with the aesthetic values of the era. The print remains a study in minimalist graphic design, prioritising legibility and structural integrity over superfluous decoration. It provides a glimpse into the professional relationships between artists and commercial galleries during a period of rapid change in European printmaking.