Enkele liggende geiten (Several Lying Goats) - Samuel Jessurun de Mesquita
Archival giclée
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Description
A lithograph by Samuel Jessurun de Mesquita, 'Enkele liggende geiten' ('Several Lying Goats') depicts two goats in a state of repose, set against a geometric background.
Samuel Jessurun de Mesquita was a Dutch artist of Sephardic Jewish origin, known for his graphic work, woodcuts, lithographs, and textile designs. He taught graphic techniques to M. C. Escher, who remained a lifelong friend, until Mesquita and his family were murdered in Auschwitz. His work often features animals, rendered with a distinctive, somewhat abstracted style. 'Enkele liggende geiten' ('Several Lying Goats') presents two goats in a state of repose. The composition is striking for its use of geometric forms in the background, which contrast with the organic shapes of the animals. The goats are depicted with a focus on their essential forms, using a limited range of tones to create depth and texture. The lithographic technique allows for a range of tonal variation, from the solid blacks of the goats' bodies to the lighter, more textured areas that define their forms. The background is composed of rectangular shapes, adding a sense of structure to the composition.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Enkele liggende geiten (Several Lying Goats) - Samuel Jessurun de Mesquita
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Specific Features
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Samuel Jessurun de Mesquita
He was born in Amsterdam in 1868, of Portuguese Sephardic Jewish origin. He trained there and was appointed teacher at the School of Architecture and Decorative Arts in Haarlem in 1902, where he remained until 1926. Escher was his most famous student; it was De Mesquita who convinced the young Escher to abandon architecture for graphic arts, a decision that changed twentieth-century visual culture.
De Mesquita produced over four hundred prints, including woodcuts, wood engravings, etchings and lithographs, plus drawings and textile designs. His animal and bird woodcuts, with their stark black-and-white stylisation influenced by Japanese ukiyo-e, are among his most distinctive work. He was not religiously observant despite his Sephardic community background. His wife Elisabeth was gassed alongside him at Auschwitz; their son Jaap perished at Theresienstadt a month later. He died at Auschwitz, around 11 February 1944, at seventy-five.
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