A refined colour lithograph by Henri Rivière, depicting a serene view of the Eiffel Tower from the Auteuil viaduct in a style influenced by Japanese printmaking.

This colour lithograph by Henri Rivière captures a view of the Eiffel Tower from the Auteuil viaduct in Paris. Rivière, a central figure in the French printmaking revival at the turn of the twentieth century, drew significant inspiration from Japanese woodblock prints. His work often features simplified forms, flat areas of colour, and unconventional perspectives that depart from traditional Western realism.

The composition is defined by its quiet, atmospheric quality. The Seine flows through the centre of the frame, reflecting the pale sky and the industrial silhouette of the city. The Eiffel Tower appears as a slender, distant marker, while the foreground is dominated by the muted tones of the river and the gentle movement of small boats. Rivière uses a restrained palette, relying on soft greys, blues, and warm peach tones to convey the light of a Parisian day. The print is part of a larger series documenting the changing urban environment of Paris, reflecting the artist's interest in the intersection of modern infrastructure and the natural environment.

Rivière was a master of the lithographic process, and his ability to layer colours allowed him to achieve subtle gradients that mimic the appearance of watercolour. This print demonstrates his technical precision and his preference for balanced, harmonious arrangements. By stripping away unnecessary detail, he invites the viewer to focus on the structural rhythm of the city. The work remains a clear example of the influence of Ukiyo-e aesthetics on European printmaking, where the emphasis is placed on the decorative potential of the image rather than purely mimetic representation. This piece is suitable for those who appreciate the intersection of historical urban documentation and the refined techniques of early twentieth-century graphic art.