A striking 1911 etching by Anders Zorn, capturing the weathered features of Djos Mats with masterful, expressive line work.

Anders Zorn, a Swedish artist of international standing, produced this etching in 1911. The subject, Djos Mats, is a local figure from Zorn's home region of Dalarna. Zorn frequently returned to his roots in Mora, documenting the faces and lives of the rural population with a direct, unvarnished approach. This print captures the weathered features of an elderly man, rendered through Zorn's characteristic economy of line. Zorn was a master of the etching medium, often using rapid, confident strokes to define form and shadow. In this portrait, the heavy cross-hatching around the eyes and brow creates a sense of depth and gravity. The light source appears to come from above, casting the upper portion of the face into shadow while leaving the lower features more defined. The artist's signature is visible in the lower right, alongside the date 1911 in the lower left corner. The plate mark remains visible, providing a tactile quality to the print that reflects the physical process of intaglio printing. Unlike the polished, academic portraits of his contemporaries, Zorn’s work here focuses on the texture of age and the character of the individual. The background is kept minimal, ensuring the viewer's attention remains fixed on the subject's expression. This work demonstrates Zorn's ability to convey personality through a limited palette of black ink on paper. It is a fine example of his late-career graphic output, where his technical skill allowed for a spontaneous, almost sketch-like quality that retains a high degree of anatomical accuracy. The print offers a glimpse into the social fabric of early twentieth-century Sweden, documenting a specific individual with both empathy and technical precision.