A detailed seventeenth-century etching by Anthonie Waterloo, depicting the mythological scene of the death of Adonis within a dense, wooded environment.

Anthonie Waterloo, a Dutch painter and etcher active during the seventeenth century, is recognised for his focus on woodland scenes and rural subjects. This etching, Death of Adonis, demonstrates his technical proficiency in the medium. The composition centres on a large, gnarled tree that dominates the upper portion of the frame, its foliage rendered with a dense network of lines that create a sense of depth and shadow. Beneath the canopy, the figure of Adonis lies prostrate on the ground, accompanied by a hunting dog. In the background, the boar responsible for the tragedy is depicted in motion, providing a narrative element to the otherwise serene forest setting.

Waterloo utilised the etching process to achieve varied textures, from the rough bark of the central tree to the soft, grassy terrain. The play of light and shadow is managed through cross-hatching and varying line density, which gives the scene a tactile quality. Unlike many of his contemporaries who focused on grand historical or religious narratives, Waterloo often placed his figures within expansive, natural environments, allowing the trees and terrain to occupy a significant portion of the visual field. This work reflects the seventeenth-century Dutch interest in the natural world, where the environment itself acts as a primary subject rather than a mere backdrop for human activity. The print is marked with the artist's initials, A.W., in the upper left corner, a common practice for his series of landscape etchings. The work remains a clear example of his ability to balance narrative detail with the atmospheric qualities of the Dutch countryside, providing a view into the technical standards of printmaking during this period.