A seminal work of the Dada movement, this piece features a mechanical gear assembly rendered in metallic green against a textured ochre background.

Francis Picabia created this work during his stay in New York, a period defined by his fascination with the mechanical form. The composition features a large, green-toned gear mechanism set against a textured, ochre-coloured background. By isolating industrial components from their functional context, Picabia transforms the machine into a subject of artistic inquiry. The title, Daughter Born without Mother, introduces a conceptual layer to the piece, suggesting a critique of traditional notions of creation and biological reproduction. This work belongs to a series of machine drawings and paintings where the artist utilised technical diagrams as a foundation for his imagery. The precision of the mechanical parts contrasts with the painterly, almost weathered quality of the background. This juxtaposition reflects the broader Dadaist interest in subverting the rationalism of the industrial age. Rather than celebrating technological progress, the work presents the machine as an absurd or enigmatic entity. The clean lines of the gear assembly are rendered with a deliberate flatness, removing the depth typically associated with representational painting. Picabia's approach here rejects the emotional or subjective qualities often found in early twentieth-century art. Instead, he adopts the visual language of engineering manuals to explore themes of irony and detachment. The metallic green pigment provides a stark visual anchor, drawing the eye to the complex geometry of the central apparatus. This piece remains a representative example of the artist's transition from his earlier experiments with Cubism toward the anti-art stance that would define his involvement with the Dada movement. It invites the viewer to consider the relationship between human invention and the autonomy of the object.