Cover for Poligraficheskoe Proizvodstvo - Solomon Telingater
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Description
A 1927 Constructivist journal cover by Solomon Telingater. This graphic design features bold red geometric forms and black sans-serif typography on a white background.
This 1927 cover for the Soviet journal Poligraficheskoe Proizvodstvo (Printing Industry) is a work by the graphic artist Solomon Telingater. Telingater was a member of the October group and worked closely with El Lissitzky. His approach to typography and layout helped define the visual language of the early Soviet period. This specific design for the August issue (No. 8) uses a limited palette of red and black on a white ground. The composition is built around two large red geometric forms that resemble the Cyrillic letter 'П', the initial for the journal title. These shapes are arranged vertically and separated by a horizontal red bar. The title text is set in a heavy, sans-serif typeface that aligns with the blocky nature of the graphic elements. Small-scale text at the bottom provides publication details, including the city of Moscow and the year 1927. A vertical red strip on the right edge contains additional technical information, maintaining the structural integrity of the page. Constructivist principles are evident in the functional arrangement of information. Telingater avoids decorative flourishes in favour of clarity and structural balance. The use of primary colours and geometric abstraction reflects the movement's interest in industrial production and mass communication. This cover represents the transition from traditional book design to the modern, machine-age aesthetics of the 1920s. The design functions as an architectural construction on paper, where the red blocks provide a sense of weight and stability.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Cover for Poligraficheskoe Proizvodstvo - Solomon Telingater
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Specific Features
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- Dust gently with a soft, dry cloth
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Solomon Telingater
He was born Lazar Markovich Lissitzky in 1890. After returning to Russia, he worked alongside Malevich at the UNOVIS art school in Vitebsk, where Suprematism and the revolution were supposed to be the same thing. He became one of the most influential graphic designers of the twentieth century, his poster designs, book layouts, and exhibition installations connecting Russian avant-garde art to the Bauhaus and De Stijl in western Europe.
He contracted pulmonary tuberculosis and continued working as a book artist and photomonteur because he could do it lying down. His sister Jenta committed suicide in Vitebsk in 1925 while he was hospitalised in Switzerland. He married Sophie Kuppers, a German woman whose family disapproved of the match; she had to leave her sons behind to move to Moscow. He died in Moscow in 1941, the year Germany invaded Russia.
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