Come on! Madame Highness, just between us does Monsieur respect himself so much that he wouldn't give Madame a blow? - Paul Gavarni
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Description
A satirical illustration by Paul Gavarni, depicting a candid conversation between two figures in a Parisian street scene. The detailed linework and expressive characters capture a moment of social commentary from 19th-century France.
This illustration by Paul Gavarni (1804-1866), a French artist known for his satirical and genre scenes of Parisian life, captures a moment of intimate conversation between two figures. Gavarni, whose real name was Hippolyte Guillaume Sulpice Chevalier, began his career as a technical draughtsman before turning to caricature and illustration. His work often appeared in periodicals such as 'Le Charivari' and 'Le Journal pour rire', offering a window into the social customs and fashions of 19th-century France. The image shows two figures, likely a man and a woman, engaged in a close discussion. The setting appears to be an outdoor market or street scene, suggested by the awning overhead and the indistinct figures in the background. The figures are rendered with fine lines and detailed shading, typical of Gavarni's lithographic style. The woman, with her headscarf and patterned shawl, seems to be speaking with a slightly raised eyebrow, while the man listens attentively, holding a basket. The accompanying text, in French, adds a layer of narrative, hinting at a question of respect and propriety within their exchange.
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Because every print is made to order, we don't offer change-of-mind returns, refunds or exchanges. If your order arrives faulty, damaged or incorrect, we'll replace it free of charge — just contact us within 48 hours of delivery. EU customers have a 14-day cooling-off right. See our refunds page for full details.
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Manufacturing
Each print is produced to order using 12-colour giclée printing on FSC-certified archival paper. Designed in Britain and printed at your nearest production hub to reduce waste and speed up delivery.
Come on! Madame Highness, just between us does Monsieur respect himself so much that he wouldn't give Madame a blow? - Paul Gavarni
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Specific Features
Every Solis piece is made to order with archival, gallery-quality materials built to last.
- Museum-grade giclée printing for rich, fade-resistant colour
- Archival matte fine-art paper, FSC-certified
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- Frames in black, natural wood, dark wood or white
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- Dust gently with a soft, dry cloth
- Avoid prolonged direct sunlight
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Materials & Sizing
Museum-grade giclée on FSC-certified archival matte paper, with framed and canvas options.
- Paper sizes: A4, A3, A2, A1, A0 and B2 (50×70 cm)
- Canvas: XS (20×30 cm) to Large (60×90 cm)
- Frames: black, natural wood, dark wood or white
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Artist Biography
Paul Gavarni
His real name was Sulpice Guillaume Chevalier. He adopted "Gavarni" from the town of Gavarnie in the Pyrenees after a journey there. He was born in Paris in 1804, worked as a machinist in a factory, and taught himself to draw in evening classes. By the 1830s he was the leading illustrator of Parisian social life: fashionable women, carnival scenes, lorettes and debardeurs, all rendered with a wit and polish that Balzac praised publicly and that helped establish Gavarni's reputation.
After the deaths of his mother and the collapse of his marriage around 1845, his style shifted. He spent time in London documenting the lives of the poor, producing work that was bleaker and more compassionate than his Paris satire. His catalogue raisonne lists approximately eight thousand works. He is often compared with his contemporary Daumier, though Gavarni's satire was more polished and less political. He died in Paris in 1866.
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