A detailed woodblock print by Tsukioka Yoshitoshi depicting the intersection of traditional Japanese boats and a modern steamship during the Meiji era.

This woodblock print by Tsukioka Yoshitoshi, titled Chronicle of the Imperial Restoration (Kōkoku isshin kenbunshi), captures a moment of transition during the Meiji period. The composition features a large, modern steamship anchored in a bay, surrounded by smaller, traditional Japanese wooden boats. The contrast between the industrial vessel and the traditional watercraft reflects the rapid modernisation occurring in Japan during the late nineteenth century. Yoshitoshi, a student of Kuniyoshi, was known for his ability to document the changing social and political climate of his era. In this work, the figures in the small boats wear traditional attire, yet their presence alongside the steamship indicates the intersection of old and new technologies. The sky transitions from a deep, saturated blue at the top to a lighter hue near the horizon, where distant mountains are visible. The water is rendered with rhythmic, stylised lines that suggest movement and current. A decorative border frames the central scene, incorporating floral motifs that provide a structured contrast to the open maritime view. The inclusion of a cartouche containing Japanese text provides historical context, typical of the news-print style popularised during this time. The palette relies on a balance of deep blues, muted reds, and earthy tones, characteristic of the pigments available to printmakers in the 1870s. This print offers a view into the visual culture of the Meiji Restoration, documenting the shift in maritime transport and the broader societal changes that defined the period.